{"id":180,"date":"2024-12-08T15:37:23","date_gmt":"2024-12-08T15:37:23","guid":{"rendered":"https:\/\/rmrm.info\/web\/?post_type=works&#038;p=180"},"modified":"2025-03-11T17:37:00","modified_gmt":"2025-03-11T17:37:00","slug":"anus-horribilis","status":"publish","type":"works","link":"https:\/\/rmrm.info\/web\/works\/anus-horribilis\/","title":{"rendered":"Anus Horribilis"},"content":{"rendered":"<p>&#8220;In the exhibition, dying is approached as a physical transformation in which bowel movements play a central role. As a result, the exhibition is also an examination of excrement as a paradoxical cultural object that sits awkwardly between taboo, liminal experience and embarrassment. RM\u2019s work pulls death into a material, bodily space, bringing sadness and humor together in an unexpected embrace to create a new language for grief and dying that allows them to be seen as integral parts of life.&#8221;<br \/>\nM. Buehler<\/p>\n","protected":false},"featured_media":206,"template":"","class_list":["post-180","works","type-works","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/rmrm.info\/web\/wp-json\/wp\/v2\/works\/180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rmrm.info\/web\/wp-json\/wp\/v2\/works"}],"about":[{"href":"https:\/\/rmrm.info\/web\/wp-json\/wp\/v2\/types\/works"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rmrm.info\/web\/wp-json\/wp\/v2\/media\/206"}],"wp:attachment":[{"href":"https:\/\/rmrm.info\/web\/wp-json\/wp\/v2\/media?parent=180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}